Carlos Tenorio questions new practices in Liga Ecuabet broadcasts after controversy with Héctor Villalba: ‘What kind of mind allows this?’
Carlos Tenorio criticized new broadcasting practices in Ecuadorian football, highlighting the need for approaches tailored to local realities rather than imitating foreign leagues.
Carlos Tenorio, a former star of the Ecuadorian national football team, has raised concerns about recent changes in the broadcasting practices of Liga Ecuabet, particularly after a controversial incident involving player Héctor Villalba and journalist Joselyn Centeno. This situation has ignited a debate about the appropriateness and impact of conducting player interviews during halftime, which Tenorio believes detracts from the integrity of the sport. In his interview on the program Tarjeta Roja, he expressed that such practices could compromise the professionalism of football in Ecuador.
Tenorio, who currently serves as president of the Ecuadorian Footballers Association (AFE), emphasized that the Ecuadorian football system has been increasingly mimicking practices from foreign leagues without taking into account the unique aspects of local culture and football traditions. He argued that the football community should focus on developing an identity that reflects their own values and capabilities rather than simply copying what is done in larger leagues around the world. He stated, "Ecuadorian football has become a copy and paste, and we must concentrate on what we are and have."
This controversy comes at a critical time for Ecuadorian football, as it struggles with issues of professionalism and the transition to modern broadcasting techniques. Tenorio's remarks suggest a growing sentiment amongst players and fans that while modernization is essential, it must be done in harmony with local customs and the realities of the Ecuadorian market. The call for a tailored approach to broadcasting and player interaction points to a collective desire to maintain the essence of Ecuadorian football while navigating the complexities of contemporary media landscapes.