The article highlights the historical presence of the famous German dancer Mary Wigman's dance school in Riga, Latvia, emphasizing its influence on local dance culture. In 1914, under the guidance of Rudolf Laban, students showcased new choreography that included unique performances such as 'Witch's Dance' and 'Lento', demonstrating an innovative approach to expression through movement.

Wigman's technique, deeply rooted in Ausdruckstanz or expressionist dance, rejected conventional methods and embraced a raw, visceral form of expression that captured the essence of human emotion. The 'Witch's Dance', characterized by dynamic hand movements reminiscent of a predatory bird and an energetic rhythm, alongside 'Lento', which was performed without music, indicated a departure from classical ballet norms towards a more avant-garde aesthetic.

This exploration of dance by the Riga branch played a pivotal role in shaping dance expression in the region, influencing both the practitioners and the wider cultural landscape. The work done in Riga not only reflects the important evolution of dance during that period but also illustrates how local movements can be interconnected with broader artistic movements across Europe.