Mar 6 • 15:01 UTC 🇪🇸 Spain El País

The revolutionary vision of the director of the Yoruba museum in Lagos: the looting of stolen African treasures does not end with restitution

Qudus Onikeku presents a new perspective on the return of looted objects, emphasizing the need for compensation and reflection on ownership and significance.

Qudus Onikeku, the director of the Randle Centre for Yoruba Culture and History in Lagos, advocates for a revolutionary perspective on the restitution of looted African treasures. He argues that the return of these items does not simply end the colonial legacy of theft but must be accompanied by discussions of compensation and the deeper meanings behind these artifacts. His insights reflect broader themes of justice as understood within Yoruba spirituality, emphasizing that resolution and righting historical wrongs are not immediate but evolve over time.

Onikeku's approach integrates a profound understanding of the historical and cultural significance of African artifacts that were taken during the colonial era. He cites the Yoruba proverb, "Esu has killed a bird today with a stone thrown yesterday," to illustrate the non-linear nature of justice and history. This perspective encourages a reevaluation of how such items are viewed and valued, not just as possessions but as living testaments to cultural identities and histories that continue to influence contemporary society across the African diaspora, including communities in the Caribbean and South America.

The implications of Onikeku’s vision extend far beyond individual pieces of art or history; they challenge institutions worldwide to reconsider their roles in safeguarding and sharing cultural heritage. His call for a comprehensive approach to restitution invites debate on how colonial legacies can be addressed not only through material return but also through reparative justice, cultural education, and meaningful partnerships with source communities to heal past injustices.

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