Feb 9 • 15:00 UTC 🇪🇸 Spain El País

The museum as a place of transit: Agnes Essonti turns colonial plunder into living memory

Agnes Essonti Luque's exhibition at the Museo Nacional de Antropología in Madrid recontextualizes colonial history by transforming the museum into a space of active engagement with the stories behind the artifacts.

The exhibition titled 'Hotel del Artefacto Expoliado' by artist Agnes Essonti Luque at the Museo Nacional de Antropología in Madrid challenges the conventional role of museums as places for definitive artifacts. Instead, it reimagines museums as transient spaces where objects and their associated memories are meant to be actively heard and engaged with rather than simply observed. This approach encourages a dialogue about the colonial history and the narratives that surround these artifacts, promoting a more nuanced understanding of their past.

Essonti's work is an integral part of the museum's 150th-anniversary celebrations, showcasing a fresh perspective on the impact of colonialism. By creating an environment that feels more personal and temporary, the exhibition invites visitors to reflect on the stories of the objects on display, emphasizing the need for new ways of listening and understanding the histories of colonizers in Africa. This shift in perspective from certainty to openness is critical in how we engage with history and the artifacts that represent it.

The exhibition will be open until February, allowing ample opportunity for visitors to experience this transformative approach to museum curation. Essonti's innovative vision not only enriches the visitor experience but also contributes to ongoing discussions about the legacy of colonialism, making it a relevant and essential discourse in contemporary society.

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