Mar 6 • 08:11 UTC 🇱🇻 Latvia LSM

Dramaturg Matīss Gricmanis: The reaction to the performance 'Order No. 2' sheds light on the problems of Latvia's political environment

Dramaturg Matīss Gricmanis discusses the relevance of the performance 'Order No. 2' in highlighting political issues in Latvia.

Matīss Gricmanis, a notable Latvian dramaturg and screenwriter, is currently working on the play 'Order No. 2' at the Dailes Theatre. He has previously created works like 'Being a Nationalist' and 'The Ugly Duckling', along with several films and a television series. Gricmanis's involvement in contemporary theater reflects his deep engagement with the socio-political landscape of Latvia, where his work often comments on national identity and political dynamics.

In light of recent statements by Wim Wenders, who chaired the jury at this year's Berlin Film Festival, there has been a significant discourse regarding the role of artists in politics. Wenders suggested that cinema should remain outside politics, advocating for filmmakers to operate as artists rather than politicians. Gricmanis recognizes the sentiments of artists wanting to avoid political entanglements, yet he argues that the current climate necessitates artistic engagement with political issues. He believes that the responsibility of artists is to express their values and positions, especially during such turbulent times.

Gricmanis's perspective emphasizes the importance of art as a medium for commentary on societal issues and political dilemmas in Latvia. His works serve not only as entertainment but as a mirror reflecting the realities and challenges faced by the Latvian populace. In this context, the performance 'Order No. 2' is positioned as essential for initiating discussions about the country's political environment, implicating the artist's role in shaping societal discourse during times of change.

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