The International Theater Show (MITsp) in São Paulo features six performances from the Brazilian Midwest, with three of them focusing on human interactions with the environment and the pressing issue of the climate crisis. Among the performances is "Galhada, in Times of Fracture," where a woman embodies plant parts, illustrating the deep connection between humanity and nature. Another notable performance, "Cabeça de Toco," engages with wooden pieces, evoking the essence of animals, while "Repúblikkk" tackles the extinction of the cerrado, a critically threatened biome in Brazil.

The show introduces a new initiative called "Conexões Centro-Oeste," a collaboration between Itaú Cultural and MITsp aimed at fostering the circulation of works that often face logistical challenges to reach São Paulo. This initiative, spearheaded by Carlos Gomes of Itaú Cultural, aims to bring more visibility to artists from the Midwest and encourage discussions around environmental themes. The curation of the shows was done with the involvement of Galiana Brasil, emphasizing the importance of these narratives in the cultural landscape.

Each of the showcased works not only highlights the unique characteristics of Brazil's Midwest but also serves as a poignant reminder of the current climate crisis. Artists like Febraro de Oliveira express the urgency of these discussions by stating, "We are seeing the world end first," indicating the profound impact of environmental degradation, which should not only be a theme in performances but also a crucial concern for society as a whole.