The article reviews the recent premiere of the play 'Midwinter' at the Metropol Theater in Germany, directed by Jochen Schölch. The setting is described with somber imagery depicting the devastation of war, where the stage features dark wooden boards, and characters are dressed in muted, desolate colors, evoking a post-apocalyptic atmosphere. The play unfolds the story of human struggle and survival after catastrophic events, illustrated through stark visuals and a haunting narrative.

In this dark retelling, the themes of desperation and the raw instincts of survival are brought to the forefront. A powerful symbol in the play is a dead horse, which serves as a grim representation of loss and the brutality of war. The imagery of a woman greedily consuming amidst the chaos signifies the fight for life amidst the ruins, emphasizing the depths to which humanity may sink to survive. The review suggests that these elements create a poignant reflection on what remains of humanity after such tragedies.

Christian Jooß-Bernau, the critic, implies that 'Midwinter' is not just a story set against the backdrop of war, but rather a commentary on the essence of humanity in the face of destruction. It invites the audience to confront the harsh realities of existence post-war and challenges them to consider the implications of human nature when faced with extreme adversity. The production resonates with contemporary themes, possibly echoing the sentiments surrounding current global conflicts, making it a relevant and thought-provoking piece of theater.