The article discusses the emerging genre of 'pop pijo' in Spain, exemplified by groups like Avenida, Inazio, and Besmaya, which have garnered popularity after the success of the band Taburete. These artists, largely coming from conservative backgrounds, offer a refreshing take on pop music that often strays from mainstream topics such as anxiety and personal struggles. Instead, they embrace more traditional and spiritual themes, with one member stating, "The modern singer talks about anxiety, but I allow myself to talk about God."

The scene is set in the Colegio Mayor Moncloa in Madrid, managed by Opus Dei, which highlights the cultural context these bands arise from. The interview captures the idiosyncrasies of these young musicians, from their etiquette to their musical stylings, showcasing a unique blend of modernity intertwined with conservative values. This background plays a critical role in shaping their music and lyrics, which resonate with a distinct audience.

The phenomenon of 'pop pijo' presents a challenging yet intriguing counter-narrative to the broader pop landscape in Spain, prompting discussions about class, upbringing, and musical expression. It raises questions about the limits of artistic expression in relation to societal expectations, and how this genre might redefine what is considered popular music in the contemporary era, carving out a niche for those who seek comfort in tradition amidst a rapidly changing cultural landscape.