Maria Arnal, a prominent figure in the avant-garde Spanish pop scene, shares insights into her music and artistic philosophy. Her work is characterized by a deep emotional resonance, reflecting the isolation and existential crises faced by her generation. In the context of her installations and live performances, Arnal emphasizes her connection with the natural world and urban landscapes, suggesting that her music interacts with the environment in real time.

Her latest installation, 'Sirena', located at the Torre Glòries in Barcelona, creates a unique auditory experience that responds to the city's dynamics—blending sounds influenced by weather conditions and urban activity. This innovative approach to music not only makes her performances ephemeral but also imbues them with a living quality, as she envisions her voice lingering in the space long after she has left. Arnal's understanding of sound and space showcases her commitment to pushing musical boundaries and exploring the unspoken emotions of our times.

In the broader context, Arnal's efforts reflect a shift in how musicians engage with their audiences and sponsors, navigating commercial pressures while maintaining artistic integrity. She expresses a desire to articulate 'things unnamable', highlighting a quest for new vocabulary in pop music amid a backdrop of social and emotional disconnection. This dialogue reflects the evolving landscape of music in Spain, as artists like Arnal redefine what it means to connect through sound and message in a modern context.