The article underscores the collaborative nature of creating music, especially in the pop genre, which is frequently overshadowed by the glamorous presentation of albums. It highlights the importance of recognizing the various contributors to music production, particularly in a rapidly growing literary focus on Spanish pop music. However, it points out that discussions around the industrial aspects of pop music are still lacking, aside from a few self-promoting autobiographies.

A significant portion of the content is dedicated to spotlighting a new book titled 'El oficio de grabar discos' by César Prieto Álvarez, which includes conversations with Joan Surribas, a notable yet undervalued figure in the music scene. Surribas is portrayed as a vital silent artisan, often referred to as a sound engineer, who facilitates the critical interaction between producers and musicians, especially in high-pressure recording environments. His journey into sound engineering began without formal training, highlighting the ad-hoc paths many in the industry take.

The article calls for a deeper appreciation of the behind-the-scenes professionals in music, suggesting that the contributions of sound engineers like Surribas deserve greater recognition in understanding the complexities of the music industry. As the canon of literature about Spanish pop music expands, the author advocates for a more inclusive narrative that accounts for all the individuals who shape the soundscapes of popular music.