Yuk Hui, in his exploration of the intersection of art and philosophy, reflects on the role of Greek tragedy in educating citizens in the virtues of action during 5th century BCE Greece. He questions why a similar tragic thought does not exist in China and connects this inquiry to his work, 'Art and Cosmotecnica', where one of his aims is to identify how art can provide a platform for developing a new sensibility. Hui's dialogue provocatively suggests that art, much like tragedy, can serve as a system for exploring deeper philosophical understandings in contemporary society.

In his previous book, Hui introduced the concept of recursivity, which reflects on circular logic that is self-reflective, yet it also incorporates contingency as a factor that introduces possibilities for change and transformation. This idea aligns with his current proposition that art can be a space for a new epistemology, offering ways to engage with the complexities of modern existence.

By striving to cultivate a new sensitivity through the lens of art, Hui's work challenges prevailing narratives and encourages audiences to reconsider the function of art in the development of thought. His philosophical inquiries bear significant implications for both artistic practice and the broader cultural landscape, suggesting that art may hold the potential for societal renewal and introspection.