The article discusses the profound artistic journey of Park Mi-hwa, whose work in clay evokes warmth and connection to ancient symbols. As the author, Jemiran, visits her studio filled with eco-conscious elements and representative pieces, they draw parallels between Mi-hwa's efforts and essential themes of existence. Her exhibitions often instill reflection, contrasting the innocence of childhood figures with poignant representations of existence, suggesting a deep understanding of life shaped by diverse religious and artistic experiences.

Mi-hwa's creative process of sculpting clay is depicted as a meditative practice, where patience plays a vital role. She waits for inspiration while forming each piece, ensuring her work emerges organically rather than through heavy intention. This 'practice of patience' transforms the raw material of clay into embodiments of life, signaling her belief that clay is not merely a material to conquer, but a living entity that requires tenderness and understanding. Her approach signifies a deep respect for the medium and the messages it conveys about the human experience.

Furthermore, the symbolic use of motifs, like the representation of sacrifice and transformation, suggests Mi-hwa's engagement with broader socio-political themes, such as climate change and existential crises faced by humanity. By presenting her work within an environment filled with ecological references, Mi-hwa establishes a narrative that intertwines art with critical awareness, prompting viewers to contemplate their relationship with the world. This emphasis on warmth and connection underlines her philosophy that art serves as a bridge between reality and deeper understanding, affirming her identity as a 'participatory realist.'