The review of Pierre Huyghe's installation 'Liminal' at the Berghain in Berlin presents a dichotomy of opinions, with many labeling it as monumental techno-kitsch. The article argues that while there are elements of kitsch present, the installation is much more than that. Upon entering the dimly lit hall, viewers are confronted with an almost hour-long dimly lit film featuring a faceless, hollow figure that elicits both discomfort and introspection.

The installation, characterized by its eerie ambience and unsettling imagery, invites spectators to engage with more profound concepts of the sublime and archetypal. The comparison to Edvard Munch's 'The Scream' and the horror icon Ghostface highlights the intention behind the installation, which uses the hollow figure to symbolize a void that challenges the audience to reflect on their perceptions and emotions rather than simply consuming visual spectacle. This transformative artistic approach suggests a critique of contemporary art that often leans towards superficiality.

In conclusion, 'Liminal' stands not only as an art piece but as a commentary on societal expectations of art and beauty. Huyghe's work provokes thought about our engagement with the sublime, urging viewers to delve deeper into the emotional void represented by the faceless figure. This experience transcends typical reactions to art, encouraging a more critical and introspective view of modern artistic expression.