In his latest column, Boris Beck reflects on a recent exhortation from Pope Leo encouraging people to measure their words, practice kindness, and de-escalate confrontational language on social media and in political discussions. This contemplation was sparked by the sight of Siniša Labrović delivering food on a bicycle in Berlin, which led Beck to express a mix of concern and humor regarding Labrović's unconventional lifestyle choices and artistic practices that often push societal norms. Beck humorously points out the bizarre past performances of Labrović, including actions that many might find distasteful or outrageous.

Beck sees Labrović's new role as a delivery worker as an unexpected but honorable job choice, especially in a market where such roles are increasingly scarce. He recognizes the challenges of the gig economy and reflects on the saturation of the performance art scene, suggesting that too many artists are vying for attention and that perhaps a limit on their numbers might be beneficial. Though Beck's initial reaction to Labrović’s antics was one of skepticism, he ultimately expresses appreciation for the decision to engage in hard work rather than seeking attention through more radical performances.

By contrasting Labrović's erratic behavior with traditional values of labor and respect, Beck emphasizes the importance of making thoughtful choices in life and art. He hints that while performance art often seeks to provoke thought, it should also embody a sense of responsibility and contribute positively to society—ideas that he connects back to the Pope’s message. This commentary not only critiques Labrović but also urges a broader reflection on the nature of artistic expression during a time when public interaction is increasingly mediated by technology and social media.