In a recent interview in Folha, historian Luiz Antonio Simas elaborated on the spontaneous and transgressive essence of Brazil's street Carnival, emphasizing how it has thrived despite numerous attempts to organize it. He describes the Carnival as a unique opportunity for collective existential reconstruction, where participants share temporary joy and belonging, which may not be experienced again after the event.

Simas opens up a broader discussion about the significance of Carnival within the urban landscape of São Paulo. He points out how the city has become increasingly car-oriented and elitist in its management of public resources like parks, which are often monopolized by private interests. The Carnival becomes a form of resistance and reclamation of public space, allowing citizens to reclaim these areas from commercialism and elitism.

Through the lens of Carnival, Simas provocatively illustrates the struggles faced by Brazilian society regarding social inclusion and community. The festival serves not only as a celebration but also as a critical reflection on urban development and collective identity, raising important questions about who has a right to public spaces and what it means for community life amidst growing inequality.