Historian Luiz Antonio Simas, in his book "The Enchanted Body of the Streets", reflects on the significance of Carnival in Brazil, likening it to a confrontation with death. He illustrates how the vivid and expressive nature of Carnival, from samba to extravagant costumes, represents a rebellion against the mundane reality of life and the inevitability of death. Simas argues that such celebrations provide the community with the strength to endure the hardships of life.

Simas describes the Carnival scene in São Paulo vividly, painting a picture of bustling subway stations filled with people decked out in colorful costumes, singing together, and celebrating life despite the struggles they face. This portrayal highlights the communal aspect of Carnival, where individuals come together to create a collective experience that transcends ordinary existence. The act of coming together during Carnival is not just for enjoyment but also a necessary respite from the daily challenges of life.

Ultimately, Simas posits that Carnival is not merely a festival; it is a profound assertion of life that allows individuals to escape their confinement and experience joy. By engaging in Carnival, people are not denying the hardships of life but rather affirming their resilience in the face of adversity, using joy as a tool for survival. In this way, Carnival stands as a powerful symbol of hope and defiance against the backdrop of a society that often feels heavy and burdensome.