Luiz Antonio Simas argues that the traditional street Carnival in Brazil is being overshadowed by oversized megablocks, raising concerns about cultural dilution.
Luiz Antonio Simas, a composer, writer, and historian, provocatively stated in 2020 that "Carnival is Brazil gone wrong." His remarks have gained new significance amidst the rising popularity of megablocks across the country, which have led to traditional Carnival groups struggling to navigate the festive landscape. Simas reflects that Brazil was designed to segregate and disband groups outside the dominant class, erasing non-white cultures. The Carnival, however, presents a unique opportunity where marginalized individuals forge a collective identity and defy societal norms, showcasing its profound cultural significance.
In an interview with Folha, Simas elaborates that Carnival has always been more about conflict than consensus. He expresses concern over the current trajectory of street Carnival, suggesting it is being co-opted by the "event culture" mentality, where the essence of the celebration may be lost in pursuit of quantity over quality. The fierce competition among mayors to host the "biggest Carnival" may further dilute the cultural meaning of the festivities, stripping them of their historical and social relevance.
Simas's commentary invites critical reflection on the future of Brazil's Carnival traditions, highlighting the potential risks posed by commercialization and the tension between celebration and exploitation. As traditional parading groups grapple with the overwhelming presence of megablocks, the essence of Carnival as a means of resistance and expression for the marginalized faces precarious challenges that could redefine its role in Brazilian society.
