The exhibition at SMK showcases the evolution of Anna Thommesen's textile works, especially her larger and more intricate rugs created over the decades. Thommesen's early pieces, such as 'Red, Yellow, Green' from 1944 and 'Plant Dyed Rug' from 1952, are celebrated for their soft, almost figurative patterns, reflecting a human touch that captivates viewers. However, it is her later works that secured her status as one of the prominent weavers of her time, appealing to museums and affluent collectors alike.

The article raises a critical question regarding the terminology used by SMK, which prefers to label Thommesen solely as an artist rather than recognizing her dual role as both artist and craftsperson. This distinction draws attention to broader discussions within the art community about the value of craftsmanship versus pure artistic expression, inviting a reevaluation of how different types of creative work are categorized and appreciated.

By highlighting Thommesen's innovative journey through textiles, the exhibition and the accompanying article not only honor her legacy but also provoke thought about current definitions of art and craft. As the collector interest in her work grows, understanding the context of her creations may influence future generations in the realms of both art and craft.