The piece highlights the exquisite tapestries of Anna Thommesen, showcasing her earlier works such as 'Red, Yellow, Green' from 1944 and 'Plant Dyed Tapestry' from 1952, which are noted for their soft, almost hazy lines and figurative patterns that evoke a sense of humanity. The author questions the categorization of Thommesen solely as an artist, arguing for the acknowledgment of her craftsperson identity. Later in her career, Thommesen's tapestries gained considerable attention, making her one of the most prominent weavers of her time, attracting museums and wealthy buyers alike. Overall, the article reflects on the intersection of art and craft, and the importance of recognizing the full range of a creator's contributions.