The Museum of Applied Arts in Frankfurt is hosting an exhibition titled 'Political Textiles in Frankfurt: The Silk Knows the Murderer', which delves into the historical and contemporary significance of textiles as a means of political expression and dialogue. The exhibition highlights the use of tapestries not only as decorative art but as a powerful medium for addressing political issues and resistance. Inspired by the ancient tradition where textiles narrated social injustices and crimes, the exhibition draws parallels to current political fabric and art movements.

Tapestries have long been intertwined with political narratives, with examples from history illustrating their use to convey messages of resistance and awareness. The article references the Roman poet Ovid, who described the tale of Arachne—a weaver who depicted the wrongdoings of gods on her tapestry, serving as a metaphor for the role of textiles in holding power accountable. Additionally, the Bayeux Tapestry is highlighted as a monumental piece of medieval art, chronicling the Norman Conquest of England and reflecting the political sentiments of that era.

Through various historical references and contemporary works, the exhibition seeks to inspire viewers to consider textiles beyond their aesthetic appeal, emphasizing their potential as mediums for activism and social commentary. By showcasing different narratives woven into fabrics, the Museum of Applied Arts encourages a deeper reflection on the interplay of art, politics, and society.