The article discusses the author's disdain for a particular faction of the political right in Italy and highlights the ongoing antifascist campaigns supported by the left. It mentions the case of Vannacci, described as a homophobic racist, whose book has sold 250,000 copies, leading him to gain political traction by establishing a party in the European Parliament. The author contrasts this with the left's attempts to suppress certain artists and figures by organizing boycotts against them, which seem to backfire, as illustrated by the increasing success of those targeted by the left's campaigns.

Moreover, the article points out that despite efforts to boycott artists like Laura Pausini, who has connections to antifascist symbols, her popularity remains undiminished, especially highlighted by her participation in the Olympic Games and the Sanremo Music Festival. The article underscores how these boycotts often lead to unintended consequences, boosting the visibility and success of those the left aims to diminish. It suggests that the strategy of ostracizing certain people or ideas may be counterproductive, as the reactions and support for these individuals and their work increase.

Finally, the commentary concludes with a cynical tone about the futility of these boycotts, emphasizing that rather than diminishing support for those considered ideologically opposed to the left, these strategies may inadvertently strengthen their positions. The author encourages a reevaluation of such tactics, suggesting they could lead to a more resilient backlash against the boycotters themselves, highlighting the complex dynamics of cultural and political influence in contemporary Italy.