In the piece, the author reflects on the left-wing protests in Italy, particularly highlighting a recent gathering at Piazza del Popolo that seemingly echoes past movements. These protests are characterized by notable figures, primarily artists and entertainers, who engage in a familiar style of activism that lacks genuine substance or innovation. The nostalgia for past leaders, such as Nanni Moretti, is palpable as the author questions the current effectiveness and authenticity of contemporary left-wing voices.

The text vividly contrasts the current situation with the activism of the past, notably mentioning Moretti's influential works and the vibrant protests of the early 2000s. The author suggests that today's left seems to be stuck in a rut, with a tendency to rely on clichéd phrases and predictable performances. This perceived stagnation is illustrated through a cast of familiar personalities, such as Moni Ovadia and Fiorella Mannoia, who are criticized for their habitual presence without contributing fresh ideas to the discourse.

Ultimately, the article conveys a sense of disappointment with the current left's inability to inspire meaningful change or engage a diverse crowd at protests. It questions whether these demonstrations can truly represent the people's concerns or if they are merely showcases for established figures to lament the status quo, reinforcing the desire for a renewed and more dynamic left that can resonate with the current social climate in Italy.