"Matilda" in Trondheim is mediocre for three hours straight
Aftenposten critiques the performance of 'Matilda' at Trøndelag Teater, describing it as mediocre despite showcasing some notable talent.
Aftenposten offers a critical review of the production of 'Matilda' at Trøndelag Teater in Trondheim, Norway, characterizing the show as a three-hour exercise in mediocrity. The review highlights issues such as poor singing, lackluster choreography, and an over-reliance on cheap theatrical solutions that contribute to an unsatisfactory experience for viewers. Despite these shortcomings, the article recognizes that Trøndelag Teater has a significant talent who stands out amidst the otherwise disappointing performance.
The article reflects on Roald Dahl's heritage with 'Matilda,' written when he was 72 years old, infusing the character of Matilda with both charm and the challenges posed by her adult counterparts. The musical, which debuted in 2010, draws on themes of intelligence and rebellion, and it captures the complexities of a young girl navigating a world filled with dreadful adults. The character’s duality is emphasized with reference to how she embraces her naughty side, as suggested in the song lyrics.
Overall, while the review expresses dissatisfaction with the production's execution, it also underscores the lasting impact of Dahl's story and the complexities of its central character, Matilda. The critique serves as a reminder of the high expectations that come with adapting beloved literary works for the stage, especially in a region passionate about theater.