Matilda Källén reflects on the recent Melodifestivalen qualifiers held in Kristianstad, noting how the performances, particularly those by Medina and Nanne Grönvall, added a touch of vibrancy to an otherwise challenging event. Källén expresses that the festival featured moments of joy, especially seeing artists like Sami Rekik and Ali Jammali, alongside the professional house dancers, who brought happiness to the stage. However, she criticizes the overall quality of the show, highlighting a need for a higher standard in such prominent competitions.

Källén particularly emphasizes Medina’s contribution to the show, noting that the group seems to infuse elements of activism into their music. Their performance conveyed a hopeful message, resonating with themes of unity and optimism, such as encouraging audiences to believe that if everyone works together, challenges can be overcome. This viewpoint is significant in the context of contemporary cultural expressions, where artists often use their platforms to promote positive societal messages.

Ultimately, Källén's observations highlight an interesting juxtaposition within the festival context, where expectations are set high, yet audiences must grapple with mixed performances. Despite her critique of the event's execution, she ultimately believes in the power of Medina's message, wishing for a world where the optimistic call to action is indeed possible.