The article by Kristina Lindquist in Dagens Nyheter reflects on the revival of Lars Norén's iconic play "Natten är dagens mor" at Malmö Stadsteater, marking its first performance since its debut in 1982. The author questions the rationale behind continuously staging a work that, in her view, seems outdated and out of touch with the current cultural climate. Lindquist emphasizes the need for theaters to evolve with the times and reconsider their repertoire to better reflect contemporary societal issues.

In her critique, Lindquist suggests that despite Norén's prominence in Swedish theater history, the themes and contexts of his works may no longer resonate with today's audiences. She calls for a deeper analysis of why certain classic plays are revived and the implications of their ongoing relevance, especially when there are myriad voices and stories vying for attention in the current theatrical landscape. The piece encourages a dialogue about the necessity and purpose of reviving old plays in modern theaters and whether they contribute meaningfully to current discussions.

Ultimately, the article serves as both a reflection on the specific work of Lars Norén and a broader commentary on the state of theater in Sweden. It urges theater practitioners to consider new narratives and perspectives, especially in an era that increasingly values diversity and inclusion in storytelling. Lindquist's piece not only addresses the revival of Norén's play but also poses critical questions about artistic choices in contemporary theater.