The article discusses the evolving relationship between audiences and cinema, highlighting a nostalgic sentiment for the communal experience of watching films. It recalls how, as a child, applause at the end of a movie was a common practice, symbolizing both physical appreciation of the film and emotional connection to the story. However, the tradition of applauding has waned, particularly since the late 1990s, as larger multiplexes replaced traditional theaters and audiences began to feel detached from the cinematic experience.

The author reflects on only witnessing applause on rare occasions in the 21st century, specifically citing the successes of 'Ocho apellidos vascos' and 'Torrente, presidente' as notable exceptions. This trend suggests a shift in audience demographics and attitudes—those who come to watch films are often unfamiliar with the traditional cinema culture, which may indicate a broader cultural shift away from communal experiences in favor of home viewing or other forms of entertainment.

Ultimately, the article highlights the significance of cinema as a space for escape and reflection and questions whether the diminishing communal aspects of moviegoing reflect a larger decline in public engagement with shared cultural experiences. The transformation of cinema-going from a communal act to a more solitary or sporadic experience resonates with current trends in media consumption, raising concerns about the future of cinema as a cultural institution.