The ARD television film "So haben wir dich nicht erzogen" presents a comedic yet thought-provoking narrative that centers on a lesbian couple whose dynamics are disrupted when their daughter expresses her intent to marry a man. This unexpected announcement throws their world into chaos, prompting the couple to confront their preconceived notions about gender and marriage. The film cleverly uses satire to reflect on societal norms and the implications of such choices, especially within the LGBTQ+ community.

Moreover, the film incorporates elements of feminist art and reinterpretation, as seen through a framed reproduction of Leonardo da Vinci’s 'The Last Supper', reimagined to reflect a more feminine perspective. One of the characters is engaged in rewriting classic texts, altering the language to be more inclusive, as shown in her adaptation of the Bible. This narrative device emphasizes the film's theme of challenging traditional gender roles and expectations, creating a modern dialogue around identity and relationships.

Ultimately, "So haben wir dich nicht erzogen" serves as both a comedy and a critique of societal conventions surrounding marriage and gender identity. By blending humor with poignant social commentary, the film invites audiences to reflect on their understanding of family, love, and the evolving definitions of partnership in a contemporary context. The film's unique approach not only entertains but also sparks important conversations about acceptance and self-identity in the modern world.