In the current theatrical landscape of Munich, the performance revolves around a complex mother-daughter relationship, highlighting divergent views on marriage. Suna, who has always dreamed of a wedding, finds herself in stark contrast with her mother, Hanna, who vehemently opposes the institution of marriage, viewing it as a perpetuation of male dominance and female dependence. Suna's announcement of her engagement triggers a tense dialogue that lays bare their deeply rooted beliefs about love and commitment.

Hanna's response to Suna's news is one of shock and disappointment, reflecting broader societal debates about marriage's relevance in contemporary life, particularly for women. While Suna cherishes the idea of a wedding, as a celebration of love, Hanna's perspective critiques it as a mechanism that binds women to outdated roles. This conflict not only illustrates their personal struggles but also mirrors ongoing discussions within feminist circles about autonomy and choice in romantic relationships.

The theater piece, titled "Tremens," thus serves not only as entertainment but also as a thought-provoking commentary on generational differences in understanding relationships. It challenges the audience to reflect on their own beliefs about marriage and gender roles, as it encapsulates a vital discourse on the evolving nature of female identities in society today.