The Royal Lyceum Theatre in Edinburgh has faced criticism from theatre critics in Scotland due to its decision to restrict the invitation for reviews of the new musical adaptation of 'One Day' to only Scottish publications. This move has been described as 'divisive' and 'London-centric', as critics assert that it suggests a hierarchy where Scottish reviewers and audiences are deemed less significant than their London counterparts. The musical, based on David Nicholls' popular novel, held its press night with the limited invitations, leading to concerns among critics about the implications for Scotland's cultural representation in the arts.

In a letter addressed to the theatre's board of directors, 15 theatre journalists expressed their discontent with what they perceive as a two-tier invitation system. They articulated that by excluding national publications, the Lyceum's approach undermines the value of criticism and coverage from Scottish voices, which are integral to the local arts scene. Critics fear the decision might perpetuate existing disparities in how regional works are received in comparison to those produced in or for London.

This situation not only highlights ongoing tensions regarding London's perceived dominance over UK arts but also raises questions about the direction in which regional theatres are heading in their engagement with critics and audiences. If more theatres adopt similar policies, it could further marginalize local critics and audiences, hindering the diversity of opinions in the arts landscape and potentially impacting the artistic discourse in Scotland.