In a new article, Säde Einasto expresses concern about how contemporary theatre often fails to address pressing social and political issues facing today's youth. As she witnesses productions of classic works by playwrights like Molière, Chekhov, and Shakespeare, she questions their relevance in the present context, suggesting that these performances may come across as detached from the current realities that the younger generation experiences.

Einasto argues that today's youth are more acutely aware of social and political dilemmas than prior generations, seeing a world that is rife with issues needing discussion and representation in the arts. This perspective challenges the notion that theatre can exist as a separate bubble; instead, it should engage with contemporary problems to resonate with the audience, particularly the youth. The sense of disconnect leaves her wondering why artistic voices are not probing these issues within their narratives, potentially missing the opportunity to contribute meaningfully to societal dialogues.

Ultimately, Einasto calls for a more engaged form of theatre that not only reflects but also critiques the society we live in. She urges artists and cultural figures to examine and interpret the world around them through their work, suggesting that this could bridge the gap between the art world and the realities faced by everyday people. Without such engagement, she fears that theatre will continue to miss its chance to connect and contribute to the discourse of present-day challenges.