Estonian film critic Tristan Priimägi has praised the late director Peeter Simm, describing him as a 'partisan of Estonian cinema' who bravely tackled social issues through his artistry. Priimägi noted that Simm's work was marked by a deep sense of visual beauty and strong social empathy, making his films powerful and thought-provoking. From his debut film 'Ideal Landscape' in 1980, which addressed the theme of forest brothers without judgment, to later works like 'The Dance Around the Steam Boiler' and 'The Man Who Wasn't There', Simm's films explored Soviet repressions and the difficult period of Estonian history.

In Priimägi's view, Simm was a survivor who navigated through the challenging times of the 1990s and the new political order, concluding his career with one of his finest films, 'On Water'. He continued to work on new projects that reflected his progressive artistic vision. The critic's remarks highlight the impact of Simm's contributions to the Estonian film industry and the poignancy of his storytelling, which resonated with many, reflecting the struggles and resilience of the Estonian people.

Overall, Priimägi's reflections serve not only as a tribute to Simm's legacy but also underline the importance of filmmakers who dare to engage with difficult subjects and foster social change through their art. Simm's commitment to addressing themes of societal relevance has left an indelible mark on Estonian culture and cinema, making his works essential for understanding the nation's historical narrative.