Kiwa's new book, 'Back to the Hotel of the Dead Alpinist', draws upon the cinematic world established in the film 'The Hotel of the Dead Alpinist' (HAH), allowing him to express the profound cultural insights he has cultivated over time. In his work, he presents his interpretations of various concepts related to completeness, represented through the characters Tühik, Teisik, and Täisiku, as well as a newly created character, Olaf Andvarafors, who is described as a once-born robot. This approach enables Kiwa to weave a narrative that delves into the complexities of existence and creation through a unique lens.

Kiwa’s philosophical exploration is reminiscent of the themes depicted in 'The Matrix', as he describes a world teeming with meaning and representation, leading to the creation of a personal 'psychotextual glossary' that serves as his own catechism and textbook. This intricate framework reflects the revolutionary mindset of a new generation that emerged from the social upheaval of the 1990s. This cohort lacked a definitive story or identity, compelling them to construct their own narratives and symbols through their histories and experiences.

The book underscores the importance of reinterpreting and constructing one's own mythology as a means to navigate and understand the world. As Kiwa embarks on this endeavor, he not only establishes connections among different ideas and experiences but also invites readers to reflect on their own paths in creating meaning within the ever-evolving narrative of contemporary culture.