In her exhibition 'Ateliê, Objeto Mistério' at Central Galeria in São Paulo, Brazilian artist Sofia Borges transforms the gallery into her working studio, blurring the lines between creation and display. The exhibition features a unique amalgamation of photographs that include depictions of Greek masks, drawings of microorganisms, and sculptures by the renowned French artist Edgar Degas. By relocating her studio to the exhibition space, Borges challenges conventional presentation by emphasizing the process of artistic creation itself.

Borges embraces an iterative approach to her artwork, stating, 'Everything is my studio.' This perspective resonates throughout the exhibition as visitors encounter not only the final pieces but the very environment of creation—the clutter and chaos that typify an artist's workspace. This labor of incorporation highlights the research and exploration intrinsic to her artistic process. The photographs displayed range from various museum collections, spanning art, archaeology, zoology, and paleontology, contributing to her overarching inquiry into representation in art.

By integrating her artistic practice into the fabric of the exhibition space, Borges makes a poignant statement about the relationship between artist, artwork, and viewer. This dynamic process invites contemplation about the nature of representation, where the visible becomes a reflection of personal and collective exploration. Sofia Borges's work redefines the gallery experience, emphasizing that the journey of creativity is interwoven with the outcome of the artwork itself, urging audiences to reconsider their perceptions of art and its representation in contemporary contexts.