The classic collage is practically dead, proclaimed surrealist Jan Gabriel and shows where it has advanced further
Jan Gabriel, a Czech artist and surrealist, discusses the evolution of surrealism and its implications in his current exhibition in Bratislava.
Czech artist, poet, translator, and publicist Jan Gabriel is currently showcasing his work in Bratislava at Galéria 19, where he reflects on the evolution of surrealism during challenging times for the artistic movement. Gabriel's journey into surrealism began during a period of normalization in Czechoslovakia post-1968, which significantly altered the landscape for artists and relegated many into practices like samizdat to share their works outside state-sanctioned norms. He emphasizes the historical context that the surrealist group around Vratislav Effenberger navigated, underlining their resilience despite political pressures.
The exhibition titled “With the Wings of Our Hands” not only showcases Gabriel's artistic contributions but also serves to connect with the historical avant-garde movements of the interwar period, referencing the works of figures like Vítězslav Nezval and Jindřich Štyrský. Gabriel points to the inspirational foundation laid by artists before him, which continued even through the war, facilitated by the collaboration with Karel Teige and others who ensured that surrealism remained viable despite the hardships faced.
Gabriel’s commentary on the state of contemporary collage indicates a shift in artistic practice, where traditional methods may be deemed obsolete but are vital in understanding the development of newer artistic expressions. His insights suggest that while certain forms may fade, the essence of surrealist thought continues to thrive and transform, encouraging future generations to explore and redefine artistic norms.