The article discusses an exhibition at the National Museum of Modern and Contemporary Art in Seoul titled 'Poetics of Existence: About the Art of Decay,' featuring artist Asad Raza's work 'Absorption.' This installation aims to provoke reflection on humanity's indifference toward soil, a critical element for life. While water and air are commonly recognized as essential for human survival, soil frequently goes unnoticed despite being equally vital, serving as a foundation for all terrestrial life. The disconnection between humanity and soil underscores a significant oversight in our understanding and relation with the environment.

The narrative highlights how, despite its crucial role in nourishing life and maintaining ecological balance, soil is often met with disdain and neglect. Terms associated with soil, such as 'dirt,' have negative connotations, leading to a societal tendency to view it as something undesirable. This perspective is particularly prevalent in urban settings where soil is treated as a contaminant demanding management and control rather than a dynamic and integral part of our ecosystem. The author encourages readers to consider the complex and biodiverse universe that exists beneath our feet, reminding us of the life-sustaining properties of soil and its essential role in environmental health.

Drawing parallels with the film 'The Martian,' the article illustrates soil's transformative nature. The protagonist, Mark Watney, emphasizes the necessity of 'living soil' to survive on Mars, showcasing how it can be cultivated even in the harshest conditions. This story serves as a poignant reminder that soil, often overlooked in our daily lives, is fundamental to our existence—not only on Earth but potentially on other planets as well. By rekindling our connection to soil, the article advocates for a more profound appreciation of this critical resource, which is too frequently treated as just an afterthought in modern civilization.