Feb 27 • 08:36 UTC 🇱🇻 Latvia LSM

Should an opera soloist also be an actor? A conversation with the creative team of the production 'The Peasant's Honor'

This article features a discussion about the opera 'The Peasant's Honor,' focusing on the importance of acting skills for opera singers.

In a recent conversation with the creative team behind the Latvian National Opera's premiere of Pietro Mascagni's 'The Peasant's Honor,' director Aiks Karapetjans and opera soloist Raimonds Bramanis explored the fusion of singing and acting in opera. They emphasized that the essence of verismo, which opposes the sentimentality of romanticism, calls for authentic emotional expression and character development from singers that are typically associated with actors. This blend of skills significantly enriches the operatic experience for both performers and audiences alike.

Karapetjans pointed out that successful operas rely heavily on genuine relationships among characters, which are brought to life through effective acting. He highlighted the unique aspect of verismo, which prioritizes the portrayal of real feelings and situations over grand themes, thereby necessitating a deeper connection between singers and their roles. Through his previous experiences with the majority of the cast, he was able to shape discussions around acting, fostering an environment where singers could also embrace their theatrical sides.

As local opera continues to evolve, the necessity for singers to embody their characters’ emotional truths becomes more pronounced. This discussion is particularly relevant not only for artists in the performing arts in Latvia but also reflects a broader trend in opera worldwide, where there is a growing expectation for singers to transcend traditional vocal performance and engage fully with the narrative and emotional landscape of their roles, thereby enhancing the overall impact of the art form.

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