Should an opera soloist also be an actor? A conversation with the creative team of the performance 'The Farmer's Honor'
This article discusses the artistic collaboration behind the performance 'The Farmer's Honor' at the Latvian National Opera, emphasizing the importance of acting skills for opera singers.
In this interview, Henrieta Verhoustinska engages with director Aiks Karapetjans and opera soloist Raimonds Bramans to explore the recent premiere of 'The Farmer's Honor' by Pietro Mascagni at the Latvian National Opera. The discussion reveals how this one-act opera is being presented alongside Ruggero Leoncavallo's 'Pagliacci,' illustrating the thematic connections between the two works.
Aiks Karapetjans explains that the unifying factor for both operas is their emphasis on genuine emotions rather than grandiosity, which aligns with the principles of verismo. This approach shifts the focus onto the characters and their interpersonal dynamics, which requires opera singers to possess not only vocal talent but also strong acting abilities. Karapetjans reflects on his prior experiences working with the majority of the singers, noting that this familiarity facilitated discussions around the development of their acting skills.
The article ultimately underscores the evolving nature of opera performances where acting is becoming integral to a singer’s role, highlighting a significant shift from traditional expectations and calling attention to how these changes in the art form resonate with modern audiences. The collaboration between singers and the creative team is positioned as essential for delivering an authentic and emotionally charged theatrical experience.