After a significant absence of four decades, the Dance Theatre of Harlem is making a triumphant return to Paris, breathing new life into the city’s ballet scene. Founded in 1969 in response to societal changes following Martin Luther King Jr.'s assassination, the company has always championed the belief that ballet is an art form that belongs to everyone. As part of their return, they bring their acclaimed performances to the Palais des Congrès, emphasizing inclusivity and the importance of diverse representation in dance.

During an interview with dancers Alexandra Hutchinson and Lindsey Donnell, they illuminated the powerful performances that the company is known for, including the celebrated rendition of "Firebird." In addition to showcasing their artistry, the dancers candidly discuss the challenges of race, resilience, and the ongoing struggle for representation within the art form. Their messages resonate deeply in a world where the narrative around who can participate in the ballet remains an essential conversation.

The return of the Dance Theatre of Harlem not only marks a historic moment for the dancers and the company but also reinforces the need for continued dialogue about diversity in the arts. Their performances promise to be a celebration of heritage, talent, and the unyielding spirit of community, pushing boundaries and transforming perceptions of ballet as a universally accessible art form. This tour highlights the importance of representation, and the positive impact it has in inspiring future generations of dancers from all backgrounds.