Feb 25 • 04:30 UTC 🇪🇸 Spain El País

‘The Reversal of Fire’, the Myth of Eurydice and Orpheus Turned into a Criminal Plot

Anne Dufourmantelle's thriller transforms the myth of Orpheus and Eurydice into a complex narrative involving crime and psychological exploration.

In 'The Reversal of Fire', philosopher and psychoanalyst Anne Dufourmantelle invites readers into a thrilling narrative that intertwines the classical myth of Orpheus and Eurydice with elements of crime and psychological depth. The protagonist, Alexeï, embarks on a surreal journey through various locations such as Rotterdam, New York, and symbolic landscapes of Russia and Europe, as he seeks his lost Eurydice, who has vanished amidst a criminal backdrop. His quest is not straightforward; in a twist akin to the original myth, he metaphorically carries Eurydice behind him.

The story's setting is rich in psychogeographical significance, asserting that the places Alexeï traverses are not just physical locations but also embody mental landscapes, adding layers of meaning to his journey. The narrative thrives on mystery, inviting readers to engage in deciphering the myriad rules and hints embedded within its plot. Dufourmantelle's storytelling resonates with contemporary themes, particularly the struggle between the desire for transparency in society and the acknowledgment of hidden truths.

By positioning the reconciliation with the unknown as a revolutionary act, Dufourmantelle underscores the importance of grappling with what is concealed. This narrative approach not only revitalizes a classic myth but also encourages an introspective examination of how we perceive crime, identity, and the enigmatic aspects of human existence.

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