The article begins with the author's initial hesitation to review 'Aurora Q.', a novel by Mario Cuenca Sandoval, due to her previous freedom in choosing topics to write about. However, upon diving into the book, she found herself captivated by the narrative voice of the protagonist, a fictitious psychiatrist and psychoanalyst who studied under Lacan in Paris. This voice resonates with the author's own experiences during her formative years in the 1980s, as she trained alongside influential figures in the field of psychoanalysis.

The author reflects on how great literature often serves as a parody of declining genres, drawing parallels with classic works such as 'Don Quixote' and 'Boquitas Pintadas', which humiliate their respective genres. While she does not claim that Cuenca Sandoval operates at the same level, she appreciates the playful spirit that permeates 'Aurora Q.' The text humorously critiques not only the world of Lacanian psychoanalysis but also the academic landscape, exposing absurdities that resonate with both professionals and lay readers.

In conclusion, the review positions 'Aurora Q.' as a significant contribution to contemporary literature that cleverly intertwines humor with critical commentary on psychoanalysis and education. This work invites a broader audience to engage with its themes, potentially challenging prevailing norms within the disciplines it parodies. The article ultimately encourages readers to embrace the playful and insightful nature of Cuenca Sandoval's narrative, reflecting on how it mirrors and critiques the complexities of both psychoanalysis and education in an engaging manner.