Miervaldis Polis was a significant artist in Latvian art history, entering the scene in the 1970s after his studies at the Latvian Academy of Arts, where he specialized in monumental painting. He became known as a pioneer of photo-realism in Latvian art, especially after a landmark exhibition in 1974 featuring works that marked a significant turning point in the local art landscape. His innovative style and ability to capture everyday life resonated with the audiences and contributed to his status as a leading figure in the contemporary art movement of the time.

In the 1980s, Polis began to explore performance art, a field he described as spontaneous or phantom theater, which further solidified his reputation for creativity. His public actions, such as the "Ego Center" and the bronze statue of a man, exemplified his approach of bringing art out of galleries and into the streets, fostering unexpected dialogues between daily life and artistic expression. These performances were characterized by their engaging and interactive nature, encouraging the audience to interact with the art in their urban environment.

The memories shared by his peers highlight Polis's unique impact on the art community and the public at large. References to his performances, where he portrayed a bronze man trading sunflower seeds, emphasize his innovative approach to challenging the traditional boundaries of art. As colleagues and friends reflect on his legacy, it’s clear that Miervaldis Polis will be remembered not only for his artistic contributions but also for his commitment to making art accessible and meaningful to the community.