The performance 'Tremens' presented at the Residenztheater in Munich delves into the narratives surrounding the disillusionment emanating from the tech industry, particularly the ideals once propagated by Silicon Valley. The character Tremens, who was once a prominent CEO and tech mogul, finds himself in stark contrast to his former life, now living in a state of despair and disconnection from the grand visions he once championed. This shift from a hopeful technological future to a present marked by decline raises questions about the validity of past promises and the impact of technology on personal and collective experiences.

The production is immersive, engaging the audience directly as Tremens interacts with them while narrating his story from a decrepit state. This interaction seeks to bridge the gap between the virtual aspirations discussed in tech circles and the genuine human emotions experienced in reality. By incorporating elements of virtual reality into the performance, the production pushes the boundaries of traditional theater, suggesting new dimensions where technology can enrich human connection rather than detract from it.

Overall, 'Tremens' not only critiques the failures of technological utopianism but also serves as a medium for exploring the potential of theatrical innovation in a world increasingly dominated by digital experiences. It invites the audience to reflect on their own relationship with technology and the possible reconciliation between modern innovation and the essence of human experiences that define our existence.