The article discusses how digitalization is transforming the theater landscape, particularly through immersive experiences like those offered in the performance "Tremens," where audiences engage using VR headsets. Ilja Mirsky, a digital dramaturgist at Munich's Residenztheater, reflects on how these digital advancements could reshape the future of theater, making it more accessible and engaging for a global audience. Mark Zuckerberg's concept of the metaverse is also mentioned, illustrating the potential of virtual connectivity to enhance theatrical performances and dissolve the sense of isolation among audiences.

Furthermore, the article touches upon the Otto-Falckenberg-Schule and its significance in nurturing acting talents, including Joachim Meyerhoff, who has left a literary mark with his works. The school continues to evolve, and while newer methods like digital theater gain traction, it remains to be seen how these traditional institutions will adapt and integrate these developments into their pedagogy.

Overall, as digital and theatrical boundaries blur, the implications of this transformation raise important questions about the essence of live performance and its future role in society. The ongoing dialogues around these themes suggest both opportunities and challenges for the artistic community as it navigates the digital age.