In the article, David Marcus expresses frustration with Bono, frontman of the band U2, for his continued public commentary on socio-political issues, particularly regarding the Trump administration's immigration policies. Marcus accuses Bono of elitism, claiming that the musician comes off as out of touch when he lectures on issues affecting 'the poors.' The focus of criticism is on Bono's recent single 'American Obituary,' which is intended as a protest song against the administration but is characterized by Marcus as lacking depth and relevance.

Specifically, Marcus highlights a line from the song that he feels trivializes serious issues, implying that Bono failing to deliver a meaningful message reflects a broader trend of celebrity activism that is often more about self-promotion than genuine engagement. By dissecting the lyrics and their apparent flaws, Marcus underscores the disconnect between Bono's artistic efforts and the reality of the complex issues at play, particularly the sensitive circumstances surrounding a police shooting in Minneapolis linked in Bono's narrative.

Ultimately, Marcus calls for Bono to refrain from further involvement in political discourse, saying that the musician's attempts at advocacy are misguided and unhelpful. This commentary not only critiques Bono but also raises questions about how celebrities contribute to discussions on important societal challenges, often blurring the lines between awareness-raising and sensationalism.