The Irish rock band U2 has released a new EP titled 'Days of Ash' featuring six politically charged songs that tackle pressing global issues, including the struggles surrounding the Trump administration in the USA, the Israeli-Palestinian conflict, the war in Ukraine, and the women's movement in Iran. This album has received a warm reception in German media, with critics noting that it revives the band's commitment to addressing significant societal challenges through their music.

Despite the positive reviews, there is an emerging sentiment among critics that U2, now well-established after more than fifty years in the industry, may have lost their edge and are not taken as seriously as they once were. This critique suggests that the band's attempts to engage with contemporary issues might not resonate as effectively with younger audiences who may perceive them as out of touch. The contrast with other artists, such as Bruce Springsteen, who have a more localized engagement, highlights U2's global approach to the art of protest song.

The acclaim for 'Days of Ash' raises important questions about the state of political music in today's climate. While U2 is celebrated for their willingness to tackle controversial subjects, the underlying concerns about their relevance and the context in which they are received reflect a broader industry trend where legacy acts sporadically win accolades for engaging with urgent themes. This phenomenon can be interpreted as both a potential validation of their message and an indication of a disconnect between established artists and the current musical landscape.