The article reflects on 'Nouvelle Vague,' a film by Richard Linklater that explores the legacy of Jean-Luc Godard, particularly highlighting the 1960 movie 'Breathless.' As part of its promotion, some cinemas have paired the new film with restored screenings of Godard's classic, allowing audiences to experience both films together. This presents a unique opportunity to reflect on cinema's evolution and the influence of Godard's innovative storytelling.

The significance of 'Breathless' is underscored by the chemistry between its leads, Jean-Paul Belmondo and Jean Seberg, while also drawing parallels to their modern counterparts, Zoey Deutch and Aubry Dullin, who embody the spirit of Godard's characters. Linklater's work emerges not just as a homage but as a detailed examination of the cultural and cinematic shifts that have taken place since the film's debut. It prompts viewers to consider how past films influence contemporary cinema and the narratives we consume today.

In examining these two films, the article emphasizes the importance of understanding the historical context of cinema and Godard's role as a reflective filmmaker. By celebrating both his work and Linklater's interpretation, the piece invites a deeper discourse on film history and its continued relevance in the modern age, portraying cinema as a dynamic and evolving art form.