The article reflects on the enduring influence of the Nouvelle Vague (French New Wave) in contemporary cinema, highlighted by Richard Linklater's recent film 'Nouvelle Vague'. The warmth and happy vibes of this film resonate with the author, reigniting an interest in the classic movement led by renowned filmmakers like Jean-Luc Godard. This renewed curiosity is further fueled by the reading of 'Introducción a una verdadera historia del cine', a compilation of lectures by Godard from the 1970s, providing an insightful backdrop into the philosophy and aesthetic of the New Wave era.

The author shares a personal revelation about their feelings towards Jean-Luc Godard, particularly referencing an incident in the documentary 'Visages, Villages' directed by Agnès Varda. The piece elaborates on why this moment left a lasting impression, marking a divide in the author's appreciation for Godard despite acknowledging his contributions to cinema. Varda, a pioneering figure in the New Wave, passed away shortly after the documentary’s release, amplifying the sense of loss in relation to the vibrant yet complex legacy of French cinema.

Through this exploration, the article highlights the intricate relationship between past and present cinematic narratives, suggesting that the lessons and artistic expressions from movements like the Nouvelle Vague continue to inform and inspire today's filmmakers. The spirit of the New Wave, as seen in Linklater's work, invites a dialogue about cinema's capacity to evoke emotion and challenge conventions, serving as a testament to the lasting power of innovative storytelling.