The Brazilian Cinematheque is showcasing an exhibition that juxtaposes the works of Leon Hirszman and Park Kwang-su, two prominent filmmakers from Brazil and South Korea, respectively. Hirszman's last feature film, 'Eles Não Usam Black-Tie,' released in 1981, is being compared with Park's early university short film, 'The Island.' This comparison is not merely arbitrary; it is an invited exploration of their distinct storytelling styles and the cultural environments they operated within.

The emergence of South Korean cinema on the global stage was marked significantly by Bong Joon-ho's 'Parasite' winning the Best Picture Oscar in 2020, which brought a newfound respect and attention to its cinematic narratives. Meanwhile, Brazilian cinema is also experiencing a resurgence with films like 'Ainda Estou Aqui' and 'O Agente Secreto' receiving nominations for international awards. The exhibition attempts to engage cinema enthusiasts in a reflective dialogue about the parallel evolutions of Brazilian and South Korean film industries, suggesting that while each has its unique identity, there are vital themes that resonate universally.

Examining these two filmmakers within the context of their respective national cinemas provides critical insight into how film reflects and influences culture and society. The exhibition facilitates a cinephilic encounter, fostering discussions around cinema's potential as a medium of social commentary and artistic expression, thereby enriching the viewing experience for audiences interested in international cinema and the rich narratives these filmmakers present.