The article reviews the new stage production 'In a Small Mansion' directed by Ingomar Vihmar, noting its alignment with his directorial vision and style. Vihmar has successfully found an author and play that resonate with his approach, creating a piece marked by absurd formalism. The interplay of the aesthetics and themes delivers a striking impact on the audience, as each character's response is underlined by a grotesque intentionality, showcasing a calculated distance rather than genuine emotion.

The production's narrative technique accentuates the contrast between the absurdity of the characters' interactions and the underlying emotional truths they obscure. This complex portrayal allows the audience to glean deeper meanings from the absurdity, as key ideas become visible through meticulous craftsmanship. Vihmar's presentation transforms potentially superficial characters into vehicles of profound insight, illustrating the playwright's command of language and theme.

Overall, Vihmar's 'In a Small Mansion' is celebrated not only for its innovative staging but also for the way it challenges audiences to engage with the absurdity and the emotional undertones embedded within the performance. The review underscores the director's ability to marry stylistic purity with thematic depth, engaging viewers in a reflection of both form and meaning within the theatrical experience.