The article is a review of the opera "Libahunt," a new production by Margo Kõlar, which premiered on February 7 at Vanemuine Theatre in Estonia. The opera is based on the play by August Kitzberg and features a libretto by Ivar Põllu, who also directed the production. The cast includes notable Estonian performers and is supported by the Vanemuine opera choir and symphony orchestra, indicating a strong local artistic collaboration.

Põllu’s review or commentary points toward the significance of the work in contemporary Estonian opera, suggesting that it addresses societal themes that have been overlooked in recent opera productions. The mention of the production's historical context—stating that over a hundred years have passed since such thematic explorations were robustly pursued in opera—highlights the potential cultural awakening or revival that this work might represent within the Estonian theatrical landscape.

Moreover, the review could imply a need for a reassessment of the role of opera in modern times—a call for it to confront modern issues and express local cultural narratives instead of relying on traditional, often outdated themes. This opera, therefore, might signify not just a new artistic endeavor but also a cultural statement about the evolution and relevance of opera in Estonia today.